Showing posts with label malaysia. Show all posts
Showing posts with label malaysia. Show all posts

Sunday, August 30, 2015

Mountain view

Well, I still don't have much to show for.

On the shooting side, things have been fun though. Just one click, wondering how the photo will turn out, forced to put more thought into composition and exposure, and no worries about batteries, chargers, memory cards or a dusty sensor (of course, other worries about 'enough film, where to have the rolls developed, where to buy more').

So far it seems film is rather forgiving when it comes to the right exposure, although I do seem to underexpose quite often. The M-A doesn't have a light meter, so I'm metering with a Voightlander light meter on top of the camera, and I have a handhold around.

The first two rolls of Kodak Tri-X 400 I had not only developed but also printed. I considered them test rolls, so nothing much spectacular on them, but it did give an impression of what I was doing right and wrong. Also more of an indication - seeing the character of Tri-X - when to use it and when not to use it... it's quite a learning curve.

Otherwise judging exposure with just the negatives (two rolls of Fuji Superia 200 so far) is not easy, since I don't have a baseline. I don't have a negative scanner yet. I wanted to experiment first with my Canon 5D-II and 100mm macro lens, to see if I could get acceptable results shooting the negatives and then processing them in Photoshop and then over to Lightroom. But it's a tedious way of processing. To get the whole negative properly focused isn't easy. Then the flash behind it needs to be evenly distributed. Then questions about color balance, how much flash, how to process exactly and how to handle the negatives without damaging them. It simply takes too much time per negative. And since I can't compare yet with a negative scanner, I don't know if I'm getting the best out of the negatives this way.

Anyway, here's one of my first color results done this way. I do plan on buying a scanner, so you might see this photo again in future. It will be a nice comparison as to which method gives the better results.

Strawberry farm in the mountains...

Leica M-A with Leica Macro Elmar 90mm f/4.0 on Fujicolor Superia 200

Malaysia, Cameron Highlands, 6 August 2015

Click on the photo for the bigger version.

Friday, May 1, 2015

Goodbye, hello...

No don't worry, it's still the same blog. It just looks a bit different.

Well dear reader, here's one of the last photos I took with my Leica M9 after its second sensor had cracked (crack in the corner cropped out).

Beach under moonlight...

One of the last photos I took with my Leica M9.

Click on the photo for the bigger version.

Malaysia, 2 February 2015


I had a longwinded and rather boring story ready about how I traded in my M9 a few weeks ago (when it was in Germany for repair), tired of the sensor problems (ready for its third new sensor in barely 5 years), but who cares. Oh yeah, I now have a Leica M-A (I'm still in the Leica fold, since their lenses are awesome) - no more sensor or electronics, not even a lightmeter built in - and I'm trying film. No results yet, the first roll is still in the camera. It's an impressive machine though, this new M-A, with its smooth velvety black chrome and all mechanical innards... let's hope I know what I'm doing, since I never shot an analogue photo before.

Oh, and if you're attached to DNGMonochrome or DNGDeblur, not to worry. I will keep supporting the DNG software, also seeing the big photo archive I have myself. Next on the list for an upgrade is DNGMonochrome. I can't work on M9Tether anymore, but I don't think that's a big problem, seeing how that program was more or less finished and still does what it needs to do.

Tuesday, November 11, 2014

Two cats

Or one cat moving really fast? No seriously, there were really two...

Kuantan, Malaysia, 5 August 2013

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Tuesday, November 4, 2014

Intermezzo

Monkey at the beach...

Kuantan, Malaysia, 26 September 2012

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Sunday, October 26, 2014

A bit gruesome

Well, this has nothing to do with Japan. A shot I took a few weeks ago, at a pasar malam (night market) in Malaysia and it's a bit gruesome, especially after the wedding photo of yesterday.

These night markets are usually fun to walk around on - although after a few you know what to expect - and so was this one, but the scene captured on the photo above I had never seen before on any of the other markets. It struck me for several reasons. Of course, one of the reasons being that where I come from and where I shop, the meat is neatly packaged and unrecognisable. When buying at this butcher on the pasar malam, you don't get away with the ignorant supermarket bliss, never realising that the meat behind the shiny plastic once had a head. Although I don't think the butcher put it there for that reason. Most likely he wanted to show some degree of freshness to the kill, which might have helped to sell the other parts of the cow also on display in several trays behind the head.

But I was fascinated with the head for another reason: the eyes were still open, and it actually looked not dead at all. Rather peaceful I thought. Like it could any moment let out a satisfied 'moo' - such a nice pasar malam - or lick its lips and nose with its wet tongue (assuming the tongue was still in there). And those two things - the severed head, death and destruction, in combination with this peaceful look - was what fascinated me the most about this scene. Then I realised I had no idea how a non peaceful look would show on a dead cow's head and I snapped a photo.

You can click on the photo for the full version, but I understand if you do not wish to do so...

Malaysia, 3 October 2014

Wednesday, January 2, 2013

Sci-Fi cat

Dozing off after gouging on the krupuk we fed her... she loved it...

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Sunday, December 9, 2012

It Strikes Again

Lightning over Malaysia, 8 December 2012

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Friday, July 20, 2012

Bandana Boys

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012

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Expression of individualism - through clothing or tattoos or piercings - is quite rare in Malaysia.

Tattoos and piercings are not done in Islam - that makes it rare within a population where 60 or 70% is Muslim. On Sabah (part of Borneo, Malaysia) a lot of people are Christian and/or from tribal descent (Kadazan - hi Jerome :-) - Rungus, Dusun, Murut etc. - I was told by a Sabahan there are something like 40 of these tribes on Sabah). And although tattoos were apparently not uncommon, within the different tribes, nowadays that practice is no more. Suffered away under pressure of former colonization, religion (Christianity also frowns upon anything that reeks of 'pagan') and let's say 'modernity'. The mindset also there is leaning towards conformism.

It means you don't see this kind of 'wilder' style a lot.


Ah Beng

There is of course the rather typical group of young Chinese in Kuala Lumpur, on the main land, referred to as 'ah beng', but that's more of a (rather big) group thing, They go about with chaotic, spiky dyed hair, baggy pants with a lot of chains - from belt to wallet and such - colorful shirts... you'll recognize them when you see them; the hair is always a give away. Just don't use the term 'ah beng' out loud to address someone, because it has a lot of negative connotations. I only associate the term with a certain style of clothing and hairdo, and I like how this group paints parts of the urban landscape of Kuala Lumpur with their flashy appearance, but for Malaysians and Singaporeans 'ah beng' is associated with poor upbringing, poor education, a low social status, a lack of language skills (not proficient in English or mixing Malay and English, the so called 'Manglish'), even with gangster activities. So you can imagine that it will be regarded insulting and derogatory if you address an individual as such.

I was quickly shushed down by friends who explained the term to me years ago, when I started using it too loudly on the streets of KL, not aware of its negative connotations. Basically it was taught by pointing... 'see, that's one' without a good explanation of the broader implications of the term - so I simply assumed it was about their colorful appearance - but I discovered those implications in time.


Mat Rempit

'Mat Rempit' is another such term, used mostly to describe young Malay street racers (on motorcycles).

It took me a while - after learning the term - to find out what - and especially 'who' was meant by it exactly. This term also carries an abundance of negative connotations: gangsterism, stolen motorcycles, dangerous behavior on the roads.

So I kept pointing at innocent motorcyclists asking friends 'is that a mat rempit?', being shushed again!

But I couldn't help it, because to me almost all these motorcyclists were exhibiting dangerous behavior!

Seriously... they're death defying, driving faster than cars - easily 110 - on what we over here would consider 'mopeds' - really small tires, with hardly any grip, nothing like a real 500cc or even a 125cc motorcycle, with no protective clothing, yes a helmet, barely, and sometimes two or three people on it.

Short pants, sandals, going at crazy speeds on the highway, smack in the middle of all the cars that aren't driving very neatly either, navigating from left to right, where ever there's space...

One moment of distraction, a car not noticing them - moving to their spot - and it's over.

I've fallen with a motorcycle once, fully dressed in protective clothing and I went down with only 30 kilometers per hour, but it took me at least a week to overcome all the bruises and my ankle was quite deeply cut, the one spot that wasn't protected too well and had dragged over the street under the motorcycle. Took months for the cut to fully heal. If you skid over the asphalt with 110 kilometers per hour, without any protective clothing, you're gonna be skinned alive, ending up like chicken filet. If you're not overrun by a car first.

To me they all seemed 'mat rempit'.

And after driving past a dead motorcyclist one day on a rainy dark evening, I wasn't surprised... I just wondered why I hadn't witnessed 'death on the highway' like that sooner.

Traffic was jammed due to his body on the road. The police directed the slow driving cars, like some improvised funeral procession, around him and his motorcycle, which was laying perhaps 10 meters in front of him. They didn't bother about the body - no medical attention - also an indication he was dead. Blood had run out on the wet asphalt from under his helmet, which was still on his head. It's strange how even in the dark you can differentiate between the structure of water and blood, without actually seeing the color; like an oil spill, shimmering in the headlights... not flowing anymore... still...

Young life gone, family distraught, and I wondered, as I always do when I see these young motorcyclists drive: aren't they aware of the risk? Or is it the age? That age where we all thought we were invincible and death was some weird thing that only happened to others?

But even up till now I've not been able to actually identify real 'mat rempit', so they remain somewhat elusive and a bit mysterious. I've also been thinking that maybe they don't really exist as a group and are just some kind of urban myth, cobbled up by suburban folks tired of some rascals.

'Those annoying mat rempit!' and a new term was born... who knows...

...

I'm not sure what kind of group this is, on the photo... none of the above anyway, but they might be 'related' to motorcycles.

Most noticeable is the foot wear, the big sunglasses, the bandanas, the leather jacket (remember it's around 30 degrees Celsius out there at that time of day) the rather tight print pants at the very
end, the leather pants in front of that, the bright red pants, the big black boots that seem too big for his small ankles, the cut off shirt...

The two on the right seem the most conformist, also standing a bit on the outside, detached from the others - with the one all the way on the right kinda shy with his thumbs in his pockets (the long hair is fairly normal on Sabah). If you would take away his yellow shoes (let's not do that) and replace them with sandals, he would drop out, since he's not wearing a bandana or anything 'outstandish'... maybe they're new in the group, not fully sure yet how to behave or dress, or maybe they're just along for the day, passengers, dressed up a bit for the occasion, or maybe the group is tolerant enough to accept any style of clothing...

And in some ways - seeing them as a group - it does fit into the tribal way of things I suppose. Not much different from your 'run of the mill' motor cycle groups - if that's their thing - you also have over here.

Although those might prefer beer to coke (notice the bottle, it's theirs).

They were posing in the sunset for a friend who took a photo...

I always try to join in on these group portraits (usually unnoticed) if I see one, and I like this photo a lot, but can't fully explain why. I guess because it talks to me (like I tried in this comment), not necessarily telling me any kind of truth though...

They might as well be bank employees out on a bachelor party...

Monday, July 16, 2012

Kid on Fish

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012

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Friday, July 6, 2012

The Golden Hour - Afterthought

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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Wednesday, July 4, 2012

Out to Sea

Fishing boat leaving the harbour...

M9 color DNG converted to monochrome DNG with DNGMonochrome - some split toning in Lightroom added to get to the sepia effect...

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012

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Tuesday, June 26, 2012

Caught one...

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012

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Wednesday, June 13, 2012

The Golden Hour III

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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Monday, June 11, 2012

Lightning over Jesselton Pier

This is a bit of a strange photo... at the bottom half there's the Jesselton Pier. It's a pier in Kota Kinabalu where you can book your boat rides to the islands and it extends (as most piers do) into the sea... it also has shops and restaurants, and in the evening - when the boat rides have finished - it's quite busy with people eating outside (as you can see on the photo)... Having dinner there (a really nice flying fish - the seafood in Kota Kinabalu is outstanding, fresh and tasty, they know how to cook...) lightning started, and people following this blog know my obsession with lightning, so I tried to capture a few... this one was one of the better results...

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012

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Friday, June 8, 2012

Aspirations

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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Saturday, June 2, 2012

View

View from the hotel at night, shot from behind glass, which doesn't do full justice to the Voigtlander 15mm used for this photo...

Kota Kinabalu, Sabah, Borneo, Malaysia, 29 April 2012

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Monday, May 21, 2012

Veggies

At the outside food court...

Kota Kinabalu, Sabah, Borneo, Malaysia, 27 April 2012

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Thursday, May 17, 2012

Cold Ears

Because when you're playing cards on top of a truck in a sweaty 32 degrees Celsius, you most definitely want to keep your ears warm (everybody knows that)...

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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Thursday, May 10, 2012

The Golden Hour II

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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Tuesday, May 8, 2012

The Golden Hour I

Kota Kinabalu, Sabah, Borneo, Malaysia, 30 April 2012

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