Well, I still don't have much to show for.
On the shooting side, things have been fun though. Just one click, wondering how the photo will turn out, forced to put more thought into composition and exposure, and no worries about batteries, chargers, memory cards or a dusty sensor (of course, other worries about 'enough film, where to have the rolls developed, where to buy more').
So far it seems film is rather forgiving when it comes to the right exposure, although I do seem to underexpose quite often. The M-A doesn't have a light meter, so I'm metering with a Voightlander light meter on top of the camera, and I have a handhold around.
The first two rolls of Kodak Tri-X 400 I had not only developed but also printed. I considered them test rolls, so nothing much spectacular on them, but it did give an impression of what I was doing right and wrong. Also more of an indication - seeing the character of Tri-X - when to use it and when not to use it... it's quite a learning curve.
Otherwise judging exposure with just the negatives (two rolls of Fuji Superia 200 so far) is not easy, since I don't have a baseline. I don't have a negative scanner yet. I wanted to experiment first with my Canon 5D-II and 100mm macro lens, to see if I could get acceptable results shooting the negatives and then processing them in Photoshop and then over to Lightroom. But it's a tedious way of processing. To get the whole negative properly focused isn't easy. Then the flash behind it needs to be evenly distributed. Then questions about color balance, how much flash, how to process exactly and how to handle the negatives without damaging them. It simply takes too much time per negative. And since I can't compare yet with a negative scanner, I don't know if I'm getting the best out of the negatives this way.
Anyway, here's one of my first color results done this way. I do plan on buying a scanner, so you might see this photo again in future. It will be a nice comparison as to which method gives the better results.
Showing posts with label malaysia. Show all posts
Showing posts with label malaysia. Show all posts
Sunday, August 30, 2015
Friday, May 1, 2015
Goodbye, hello...
No don't worry, it's still the same blog. It just looks a bit different.
Well dear reader, here's one of the last photos I took with my Leica M9 after its second sensor had cracked (crack in the corner cropped out).
Beach under moonlight...
One of the last photos I took with my Leica M9.
Click on the photo for the bigger version.
Malaysia, 2 February 2015
I had a longwinded and rather boring story ready about how I traded in my M9 a few weeks ago (when it was in Germany for repair), tired of the sensor problems (ready for its third new sensor in barely 5 years), but who cares. Oh yeah, I now have a Leica M-A (I'm still in the Leica fold, since their lenses are awesome) - no more sensor or electronics, not even a lightmeter built in - and I'm trying film. No results yet, the first roll is still in the camera. It's an impressive machine though, this new M-A, with its smooth velvety black chrome and all mechanical innards... let's hope I know what I'm doing, since I never shot an analogue photo before.
Oh, and if you're attached to DNGMonochrome or DNGDeblur, not to worry. I will keep supporting the DNG software, also seeing the big photo archive I have myself. Next on the list for an upgrade is DNGMonochrome. I can't work on M9Tether anymore, but I don't think that's a big problem, seeing how that program was more or less finished and still does what it needs to do.
Well dear reader, here's one of the last photos I took with my Leica M9 after its second sensor had cracked (crack in the corner cropped out).

One of the last photos I took with my Leica M9.
Click on the photo for the bigger version.
Malaysia, 2 February 2015
I had a longwinded and rather boring story ready about how I traded in my M9 a few weeks ago (when it was in Germany for repair), tired of the sensor problems (ready for its third new sensor in barely 5 years), but who cares. Oh yeah, I now have a Leica M-A (I'm still in the Leica fold, since their lenses are awesome) - no more sensor or electronics, not even a lightmeter built in - and I'm trying film. No results yet, the first roll is still in the camera. It's an impressive machine though, this new M-A, with its smooth velvety black chrome and all mechanical innards... let's hope I know what I'm doing, since I never shot an analogue photo before.
Oh, and if you're attached to DNGMonochrome or DNGDeblur, not to worry. I will keep supporting the DNG software, also seeing the big photo archive I have myself. Next on the list for an upgrade is DNGMonochrome. I can't work on M9Tether anymore, but I don't think that's a big problem, seeing how that program was more or less finished and still does what it needs to do.
Labels:
kuantan,
leica M9,
malaysia,
summilux 50mm f/1.4
Tuesday, November 11, 2014
Tuesday, November 4, 2014
Sunday, October 26, 2014
A bit gruesome

These night markets are usually fun to walk around on - although after a few you know what to expect - and so was this one, but the scene captured on the photo above I had never seen before on any of the other markets. It struck me for several reasons. Of course, one of the reasons being that where I come from and where I shop, the meat is neatly packaged and unrecognisable. When buying at this butcher on the pasar malam, you don't get away with the ignorant supermarket bliss, never realising that the meat behind the shiny plastic once had a head. Although I don't think the butcher put it there for that reason. Most likely he wanted to show some degree of freshness to the kill, which might have helped to sell the other parts of the cow also on display in several trays behind the head.
But I was fascinated with the head for another reason: the eyes were still open, and it actually looked not dead at all. Rather peaceful I thought. Like it could any moment let out a satisfied 'moo' - such a nice pasar malam - or lick its lips and nose with its wet tongue (assuming the tongue was still in there). And those two things - the severed head, death and destruction, in combination with this peaceful look - was what fascinated me the most about this scene. Then I realised I had no idea how a non peaceful look would show on a dead cow's head and I snapped a photo.
You can click on the photo for the full version, but I understand if you do not wish to do so...
Malaysia, 3 October 2014
Labels:
leica M9,
malaysia,
summilux 50mm f/1.4
Wednesday, January 2, 2013
Sunday, December 9, 2012
Friday, July 20, 2012
Bandana Boys

Click on photo for the full version...
Expression of individualism - through clothing or tattoos or piercings - is quite rare in Malaysia.
Tattoos and piercings are not done in Islam - that makes it rare within a population where 60 or 70% is Muslim. On Sabah (part of Borneo, Malaysia) a lot of people are Christian and/or from tribal descent (Kadazan - hi Jerome :-) - Rungus, Dusun, Murut etc. - I was told by a Sabahan there are something like 40 of these tribes on Sabah). And although tattoos were apparently not uncommon, within the different tribes, nowadays that practice is no more. Suffered away under pressure of former colonization, religion (Christianity also frowns upon anything that reeks of 'pagan') and let's say 'modernity'. The mindset also there is leaning towards conformism.
It means you don't see this kind of 'wilder' style a lot.
Ah Beng
There is of course the rather typical group of young Chinese in Kuala Lumpur, on the main land, referred to as 'ah beng', but that's more of a (rather big) group thing, They go about with chaotic, spiky dyed hair, baggy pants with a lot of chains - from belt to wallet and such - colorful shirts... you'll recognize them when you see them; the hair is always a give away. Just don't use the term 'ah beng' out loud to address someone, because it has a lot of negative connotations. I only associate the term with a certain style of clothing and hairdo, and I like how this group paints parts of the urban landscape of Kuala Lumpur with their flashy appearance, but for Malaysians and Singaporeans 'ah beng' is associated with poor upbringing, poor education, a low social status, a lack of language skills (not proficient in English or mixing Malay and English, the so called 'Manglish'), even with gangster activities. So you can imagine that it will be regarded insulting and derogatory if you address an individual as such.
I was quickly shushed down by friends who explained the term to me years ago, when I started using it too loudly on the streets of KL, not aware of its negative connotations. Basically it was taught by pointing... 'see, that's one' without a good explanation of the broader implications of the term - so I simply assumed it was about their colorful appearance - but I discovered those implications in time.
Mat Rempit
'Mat Rempit' is another such term, used mostly to describe young Malay street racers (on motorcycles).
It took me a while - after learning the term - to find out what - and especially 'who' was meant by it exactly. This term also carries an abundance of negative connotations: gangsterism, stolen motorcycles, dangerous behavior on the roads.
So I kept pointing at innocent motorcyclists asking friends 'is that a mat rempit?', being shushed again!
But I couldn't help it, because to me almost all these motorcyclists were exhibiting dangerous behavior!
Seriously... they're death defying, driving faster than cars - easily 110 - on what we over here would consider 'mopeds' - really small tires, with hardly any grip, nothing like a real 500cc or even a 125cc motorcycle, with no protective clothing, yes a helmet, barely, and sometimes two or three people on it.
Short pants, sandals, going at crazy speeds on the highway, smack in the middle of all the cars that aren't driving very neatly either, navigating from left to right, where ever there's space...
One moment of distraction, a car not noticing them - moving to their spot - and it's over.
I've fallen with a motorcycle once, fully dressed in protective clothing and I went down with only 30 kilometers per hour, but it took me at least a week to overcome all the bruises and my ankle was quite deeply cut, the one spot that wasn't protected too well and had dragged over the street under the motorcycle. Took months for the cut to fully heal. If you skid over the asphalt with 110 kilometers per hour, without any protective clothing, you're gonna be skinned alive, ending up like chicken filet. If you're not overrun by a car first.
To me they all seemed 'mat rempit'.
And after driving past a dead motorcyclist one day on a rainy dark evening, I wasn't surprised... I just wondered why I hadn't witnessed 'death on the highway' like that sooner.
Traffic was jammed due to his body on the road. The police directed the slow driving cars, like some improvised funeral procession, around him and his motorcycle, which was laying perhaps 10 meters in front of him. They didn't bother about the body - no medical attention - also an indication he was dead. Blood had run out on the wet asphalt from under his helmet, which was still on his head. It's strange how even in the dark you can differentiate between the structure of water and blood, without actually seeing the color; like an oil spill, shimmering in the headlights... not flowing anymore... still...
Young life gone, family distraught, and I wondered, as I always do when I see these young motorcyclists drive: aren't they aware of the risk? Or is it the age? That age where we all thought we were invincible and death was some weird thing that only happened to others?
But even up till now I've not been able to actually identify real 'mat rempit', so they remain somewhat elusive and a bit mysterious. I've also been thinking that maybe they don't really exist as a group and are just some kind of urban myth, cobbled up by suburban folks tired of some rascals.
'Those annoying mat rempit!' and a new term was born... who knows...
...
I'm not sure what kind of group this is, on the photo... none of the above anyway, but they might be 'related' to motorcycles.
Most noticeable is the foot wear, the big sunglasses, the bandanas, the leather jacket (remember it's around 30 degrees Celsius out there at that time of day) the rather tight print pants at the very
end, the leather pants in front of that, the bright red pants, the big black boots that seem too big for his small ankles, the cut off shirt...
The two on the right seem the most conformist, also standing a bit on the outside, detached from the others - with the one all the way on the right kinda shy with his thumbs in his pockets (the long hair is fairly normal on Sabah). If you would take away his yellow shoes (let's not do that) and replace them with sandals, he would drop out, since he's not wearing a bandana or anything 'outstandish'... maybe they're new in the group, not fully sure yet how to behave or dress, or maybe they're just along for the day, passengers, dressed up a bit for the occasion, or maybe the group is tolerant enough to accept any style of clothing...
And in some ways - seeing them as a group - it does fit into the tribal way of things I suppose. Not much different from your 'run of the mill' motor cycle groups - if that's their thing - you also have over here.
Although those might prefer beer to coke (notice the bottle, it's theirs).
They were posing in the sunset for a friend who took a photo...
I always try to join in on these group portraits (usually unnoticed) if I see one, and I like this photo a lot, but can't fully explain why. I guess because it talks to me (like I tried in this comment), not necessarily telling me any kind of truth though...
They might as well be bank employees out on a bachelor party...
I'm not sure what kind of group this is, on the photo... none of the above anyway, but they might be 'related' to motorcycles.
Most noticeable is the foot wear, the big sunglasses, the bandanas, the leather jacket (remember it's around 30 degrees Celsius out there at that time of day) the rather tight print pants at the very
end, the leather pants in front of that, the bright red pants, the big black boots that seem too big for his small ankles, the cut off shirt...
The two on the right seem the most conformist, also standing a bit on the outside, detached from the others - with the one all the way on the right kinda shy with his thumbs in his pockets (the long hair is fairly normal on Sabah). If you would take away his yellow shoes (let's not do that) and replace them with sandals, he would drop out, since he's not wearing a bandana or anything 'outstandish'... maybe they're new in the group, not fully sure yet how to behave or dress, or maybe they're just along for the day, passengers, dressed up a bit for the occasion, or maybe the group is tolerant enough to accept any style of clothing...
And in some ways - seeing them as a group - it does fit into the tribal way of things I suppose. Not much different from your 'run of the mill' motor cycle groups - if that's their thing - you also have over here.
Although those might prefer beer to coke (notice the bottle, it's theirs).
They were posing in the sunset for a friend who took a photo...
I always try to join in on these group portraits (usually unnoticed) if I see one, and I like this photo a lot, but can't fully explain why. I guess because it talks to me (like I tried in this comment), not necessarily telling me any kind of truth though...
They might as well be bank employees out on a bachelor party...
Labels:
borneo,
kota kinabalu,
leica M9,
malaysia,
sabah,
tele-elmarit 90mm f/2.8
Monday, July 16, 2012
Friday, July 6, 2012
Wednesday, July 4, 2012
Tuesday, June 26, 2012
Caught one...
Labels:
animals,
borneo,
kota kinabalu,
leica M9,
malaysia,
sabah,
tele-elmarit 90mm f/2.8
Wednesday, June 13, 2012
The Golden Hour III
Labels:
borneo,
elmarit 28mm f/2.8,
kota kinabalu,
leica M9,
malaysia,
sabah,
sunset
Monday, June 11, 2012
Lightning over Jesselton Pier

Kota Kinabalu, Sabah, Borneo, Malaysia, 1 May 2012
Click on photo for the full version...
Labels:
borneo,
kota kinabalu,
leica M9,
lightning,
malaysia,
sabah,
summilux 50mm f/1.4
Friday, June 8, 2012
Saturday, June 2, 2012
Monday, May 21, 2012
Thursday, May 17, 2012
Thursday, May 10, 2012
The Golden Hour II
Labels:
borneo,
elmarit 28mm f/2.8,
kota kinabalu,
leica M9,
malaysia,
sabah,
sunset
Tuesday, May 8, 2012
The Golden Hour I
Labels:
borneo,
elmarit 28mm f/2.8,
kota kinabalu,
leica M9,
malaysia,
sabah,
sunset
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